Showing posts with label concert. Show all posts
Showing posts with label concert. Show all posts

Tuesday, October 2, 2018

BTS! BTS! BTS!

I'm listening to BTS right now, and, if you don't know who they are, this post will be hard to understand!  (Visit here and here for more info, videos, and pics from the concert.)  Beware, Lambeth, I think they are headed to England next!

They are a seven-member, K-Pop boy band from South Korean, which means they perform in a mix of rap and song, Korean and English, with very complicated dance routines and coordinated outfits.  They have been together for 7+ years and are popular the world over but are only now making a relatively big splash in the US.  They have their own lingo--fans are called ARMY, their are specific chants for each song, fans have preferences of favored members which are called "bias" or "stans" (I'm sure I don't have that quite right.) Still, most people I know don't know them, despite topping several Billboard charts, winning at the Video Music Awards, selling out stadium concert venues, and appearing on "Good Morning America" and "Tonight Show" this week.

Bud loves their music and their dance routines, knowing all the lyrics (which he sings in Korean and English, having read the phonetics and the translations!) and the moves.  When we heard they were coming to the Prudential Center in NJ, Mama managed to get tickets in the upper balcony.  (For reference, they sold out the 42,000+ Citi Field in 10 minutes, with some seats going for $5K or more.  And that's not the scalpers' price.)  And so, on Saturday, the three of us (Sis stayed home to do horse things) trekked down to Newark, of which we'd only visited the airport before, early.  See, BTS fans are rabid--they known for screaming and dancing and buying up merchandise.  Even though we got to the venue about 6 hours early, we couldn't buy t-shirts or hats or hoodies or bandanas; they were all sold out.  (Oddly, they sell the concert merch outside the venue not inside and don't restrict it to ticket holders; they could've sold so much more stuff if they'd had it.)  Bud was bummed, so I snagged him a bootleg shirt from a guy with a full backpack.  He got the official light bomb, which officials programmed to his seat location so it can blink and flash based on the show, with colors and patterns determined by the house.  He also managed to get the last poster of the band!  Our cashier rushed to the table and grabbed it before the other cashier making a beeline for it could take it away; when they posted "sold out" on the sign, there were a hundred audible groans behind us!  Craziness.

We spent the rest of the afternoon milling with the other ARMY.  Mainly, Bud danced.  See, each song has a specific choreography which people learn.  So, some of the fan club people had brought a speaker and music and were playing the songs or just the choruses.  If you knew the song, you rushed into the open space with others and danced while everyone sang.  It was a beautiful flash mob!  And Bud danced his heart out.  He's got great moves, especially being one of the youngest there.

See, I thought there would be more young teens, but it was a lot of women in their early to mid-20s instead, some from as far away as Germany and Australia!  And of all races, not just Korean.  I saw Orthodox Jewish women, Muslim women in hijab, African Americans, Latinas, SE Asians (eg India, Pakistan), Caucasians, etc etc etc.  There was even a palpable lesbian presence (though not a discernible gay male one, which surprised me, given the relative androgyny, even femininity, by US standards, of the group.) BTS has a very wide appeal--they aren't vulgar or overly sexualized or violent or aggressive; their music speaks of emotions(albeit some hard ones)--the arc of three albums is entitled "Love Yourself," a major theme of their recent speech to the United Nations--and they are beautiful, talented young men (all between about 21-25.)

The talent was definitely on show on Saturday night.  They danced and sang for three solid hours (with no opening act, beyond their own videos, which the audience used for karaoke), taking turns with solos, in an elaborately produced show.  As far as I know, they sing live, not recorded, and they have vocal chops, which is not always noticeable on the heavily-produced recordings.  And they can all move!  Then, at the very end, they took 10 minutes to thank fans and express their gratitude, excitement, etc. Yep, I was very impressed.  And had a great time.  I don't know the lyrics or the fan chants, much less the dance moves, but it doesn't really matter.  I loved watching Bud have such a great time.  I think he screamed and sang the whole time, but it was so loud that, even though I was next to him, I couldn't hear him!  I'm glad he has some worthy Asian, male, celebrity role models, which Mama definitely didn't have growing up.  They have talent and work hard, talk about feelings and challenges, and work with UNICEF.  It makes a difference to see people who look like you succeed and be popular.  (Even as a white girl, I knew this at a very early age--I preferred Snow White and later Princess Leia because they were the rare heroines with dark hair! )

And they're just fun.  I'd go to their concerts again.  Yep, I'm a proud ARMY mom!

-=-=-=-=-=-

Setlist:

"Idol"

"Save Me"

"I'm Fine"

"Magic Shop"

"Trivia: Just Dance"

"Euphoria"

"I Need U"

"Run"

"Serendipity"

"Trivia: Love"

"DNA"

Medley: "Boyz With Fun / "Attack on Bangtan" / "Fire" / "Bapsae" / "Dope"

"Airplane Pt. 2"

"Singularity"

"Fake Love"

"Trivia: Seesaw"

"Epiphany"

"The Truth Untold"

"Outro: Tear"

"Mic Drop"

Encore:

"So What"

"Anpanman"

"Answer: Love"

Friday, May 18, 2018

Kidbits and Updates

Each is not a whole post, but together it's a lot of catching up:


  • Last week, Sis and I went to a compass class with some of our GS friends.  And it was taught by a friend we had made at Hog Island last year!  So great to see her again.  I learned so much. I did not know how to read a compass.  Hold the compass flat in your hand, with the curved part at your wrist and the printed red "travel arrow" pointing out from your palm.  "Turn on the compass"--I know, it's not electronic--means to put the "red in the shed," i.e. move the "compass housing" so that the red part of the needle that always faces magnetic north moves into the outlined arrow or orienting lines/arrow.  Now you can tell what direction you are pointing by whatever direction and degree lines up with the travel arrow.  You reverse it to go in a particular direction.  Want to go Northwest?  Move the compass housing to put NW at the end of the travel arrow, move yourself to put the "red in the shed", and walk in the direction of the arrow.  At least I think that's right.  Sis was much better than I was.  I know there is so much more to orienteering but it was a great start.  I'll practice at Hog Island again this summer.
  • We went to three orchestra concerts last week, one for our school and two where the kids from our orchestra were invited to play at other concerts to help round out the sound.  They played "Vida La Viva," a bit from "Eine Kleine Nachtmusik," "Shadows," and . . . something else.  I love hearing my kids play . . . and it was even bittersweet to hear the little ones play "Hot Cross Buns."  Sis and Bud have come a long way.  And they'll both be playing in the orchestra again next year.
  • Piano duet.  Yep, Bud and I are finally playing a piano duet.  I had stopped taking piano during CPE but am starting up again for the summer.  And so we actually did some planning during Monday's lesson.  I'm dusting off "Finlandia" and "The Entertainer" (both easy piano) and then learning my part of "Vida La Viva."  Yes, the Coldplay song.  Just like Bud played in orchestra.  I know it.  He likes it.  And one of the parts is just my speed.  Only challenge is that I don't really count when I play, just play by ear to the tune I know, which makes it almost impossible to play in the right spot with a duet partner so I'm practicing counting.  Whew.  But the playing has rejuvenated Bud, who spent last night playing "Phantom of the Opera," "Prince Sidon," and other songs.  One of my favorite sounds in the world.
  • Bud has had a few kung fu performance in the last few weeks, which is not our usual performance time (May and October are the big competition times; January/February are the big Lunar New Year performance times.)  He performed at Quassy Amusement Park, a small, old local park with rides and games next to a lake.  The performance went well, but the team had even more fun wandering around together and going on all the rides--swings, tilt-a-whirl, this big boat that swings like a pendulum, tea cups, another ride that flips and holds you upside down.  I enjoyed the lovely weather and riding the carousel.  Oh how I love a carousel!  Bud even rode with me towards the end of the day. 
  • And he earned his Black Belt right before we left for Italy.  The school hadn't been doing belts for the team (it's more of a karate thing than a kung fu thing anyway) and so their Master gave the team the chance to earn their belts.  Bud practiced for weeks, on top of his years of kung fu, and he earned the black belt, embroidered with his school, and a beautiful plaque to go with it.  We're so proud of him!
  • INDIGO GIRLS!  Last week, we all went to hear the Girls in concert in New London.  We arrived early enough for dinner (mac and cheese pizza, chix and broccoli and bacon pizza, pasta pomodoro, great salad and yummy cakes) at this great local pizza place, Two Wives--and the only men in the building were Bud and those on the staff!  Everyone was there for the concert, which always draws about 95% women.  Most of them were our age or older--and not even all of them were dykes!  Of the five others I knew there that night, only 2 were lesbians.  But they were moms of twins, just like us.  Gotta introduce the kiddos to the culture, you know?  It was great--they played most of our favorites.  We got home really late, but we didn't care.  Besides, it was Mother's Day weekend and there's not much these two moms like more than a Girls concert.
  • Mama and I gave ourselves our big Mother's Day present:  we went to the Met museum all by ourselves, leaving the kids at home on Saturday.  I had wanted to see the Thomas Cole exhibition and it was closing on Sunday, but the kids didn't want to go.  And after three orchestra concerts, the Indigo Girls, the compass class, and a kung fu show, we decided they would probably enjoy a day at home much more . . . and we might enjoy the moms' night out all by ourselves.  And we did!  There was some traffic heading into the city on Saturday afternoon, but we talked all the way there.  The Cole show had some great pieces--Course of Empire, Oxbow River, a little trompe l'oeil with an oil sketch of a landscape, a view of Florence in front of which I no longer needed to say "I'd love to take you to Italy!"  There were also paintings by Claude Lorraine, de Loutherbourg, Turner, Constable, including cloud studies and Hadleigh Castle.  The concept of the show--Cole was influenced by European art and travels--was nothing new, but it was pretty.  We also liked the parallel show about Americans in Italy--with sketches and drawings and watercolors by Sargent, Elihu Vedder, and Maurice Prendergast.  We especially liked the Venetian views.  We enjoyed a ham sandwich on a baguette, rich chocolate cupcake, and a cup of coffee in the American courtyard, treating this trip into the city like we did Italy by taking it easy and enjoying ourselves, slowly.  The last show on our list was the French gardens show, tracing the rise of public gardens and private gardening as a hobby after the Revolution and through the 19th century.  There were still lifes by Fantin-Latour, Odilon Redon, Mary Cassatt--I loved her lilacs--and Caillebotte's chrysanthemums.  There were also many women-in-the-garden scenes by Manet, Monet, Renoir, Cassatt, and Morisot, though little discussion of the trope.  There were watering cans, hand rakes and trowels, and maps of gardens, including a great panorama postcard of the Tuileries with all these wonderful snippets of people.  It was a lovely show.  I think I might be getting excited about going back to Paris someday, with the kids, once they've had more French.  As we perused the shop--I got the gardens catalogue but not the Cole (I have the one from the very-similar Wadsworth show I saw when I came back to NYC in fall 1994 to see Glenn Close in Sunset Boulevard--when I stayed with Mama in her dorm, actually.  Full circle.)--I saw mention of a Visitors to Versailles show and so Mama and I trekked up to it.  Great 18th-century court costumes, dec arts, and even a room devoted to an early 18th-century visit by Siamese ambassadors from the court of Ayyuthaya who brought gifts and wore special hats. Yep, Thailand.  Circle again.  We absolutely skipped the Heavenly Creatures and the Catholic Imagination show; well, sort of.  It was spread out through the Medieval court on the first floor so we passed by the overdone fashions and big crowds on our way to other exhibitions.  It was a dramatic place to stage the show, with all the Catholic art of the Middle Ages, but I am completely uninterested in modern fashion. Give me those 18th-century court gowns any day.
  • We saw Avengers: Infinity War.  Loved it.  It's past the point where I worry about spoilers; by now the details are well known.  Of course, it's the deaths that got everyone.  And we all seem to have the idea that most won't stick.  But I'm guessing they'll surprise us--it's too easy if Scarlet Witch somehow breaks the Soul Stone from the inside or Cap sacrifices himself for Bucky (and them all) and switches places with everyone in the Soul Stone.  I don't think he'll survive the next one, Cap.  And I think Black Panther, sweet Spidey, and all of those who disintegrated will be back. Doctor Strange knows exactly how it will all pan out.  No resurrection for mischievous Loki, though.  He was one of my favorites.  And I think Gamorrah will get, who I think entered the Stone as Thanos's sacrifice, will get out, too.  And all of that in time for the new Guardians, Spiderman, and Black Panther movies!
  • Sis got her braces off!  She was so excited that she took a bag of popcorn with her to the appointment and had been planning her candy consumption for months.  Mama brought her a bag of jelly beans, gummy bears, Star Bursts, Carmellos, jar of caramel sauce, two bags of popcorn from Trader Joe's, and I don't know what else.  She now has a clear retainer.  And says her mouth is "soft!"  Bud will get his braces in a month (he lost his lost baby teeth later than she did)--I teased the orthodontist that he could just recycle the brackets and give us a discount. 
  • CPE is wrapping up.  I have 62 hours left, a final evaluation paper (already at 10 pages), and three more essays.  Whew.  I witnessed a funny moment last week.  The priest startled a sleeping patient who then tried to get out of bed.  I fetched a nurse.  The patient kept saying, "I need to get to my business." (You could tell he meant work.)  The nurse said, "You can do your business here in bed."  "It isn't funny business!" he replied.  We all started to giggle.  The nurse said, "I can't believe you said that in front of the priest!"  The priest was laughing harder than all of us.  More on CPE later.  It's my day off!  Which means some Zentangle, crocheting, blogging, and watching reruns of "Arrow."

Monday, November 23, 2015

"Knits and Pearls"* Retreat

Please pardon the centering of the text; I've tried to get rid of the formatting, but it won't go.  So it can stay centered.
Coincidence?

FRIDAY
I had been looking forward to this weekend since midsummer:  it was time for my mindful knitting retreat.  We picked up the kids just before dismissal and rode together to Copper Beech Institute.  It's part of a large monastery and retreat center, though unconnected theologically.  If you recall, I went to a Zentangle retreat there in February which was a marvelous experience.  

We arrived not long before sunset and they helped me get settled into my room.  Unlike last time when we were all a bit edgy about the separation and newness of the experience, this time they left rather quickly--to catch a showing of the new Peanuts movie (which they enjoyed.)  Indeed, they had a hold weekend planned--Peanuts, lots of restaurants and take out food, Minecraft, kung fu, ice skating, public free skate, origami.  

I had a big weekend planned, too:  a mindful knitting retreat.  I was more focused on the knitting, hoping to expand my skills beyond rectangles to a simple mitten pattern!  And so with my Icelandic Lopi wool yarn and my double-pointed needles, I was ready to learn.

Our Friday evening gathering included the usual housekeeping issues (no cellphone usage in public spaces, how to return used linens on Sunday via the laundry chute, even a discussion of the omnipresent Catholic iconography as full of compassion and sensitivity and in no way connected to the beliefs of the mindfulness institute.)  We did a mindfulness meditation, letting go of attachment, judgment, criticism, expectations, wishes especially with regard to our knitting.  And then we knit a swatch, silently, checking our bodies and breath, letting go of a product or a goal or an end, just knitting to knit.  We felt the yarn, saw the colors, heard the needles, even sniffed the wool--almost all the senses taking in the knitting (I would taste the fibrous stuff as I threaded a needle later in the weekend.  Eh.)

And then we pulled it all out!

I was glad that I had knitted my green Block Island blanket last week, so that my skills were in practice.  I can cast on, knit, purl, knit two together, bind off, and follow simple patterns as needed, not much more.  But I made the mistake (albeit intentional) of admitting I was a crocheter.  "Oh, we'll cure you of that," one said.  Ah, the superiority of knitters over crocheters.  But I expected it and am used to it (in "real" yarn stores, the clerks barely want to help crocheters choose yarn.)  Still, on the last day, another congratulated me, "You're a knitter now."  So much for judgment and attachment.

The evening was spent on our own and I journaled and doodled in my sketch book.  It's so quiet in the monastery, so much solitude and peace.  It's odd after living in a small house with three other people and four furry beasties; even during the day when I'm all by myself, it's not the same--there are chores and phone calls and errands, either to do or ignore.  At the retreat, there was nothing.  

I resolved to wake up early to see the sunrise and set my alarm.


Saturday
My walk in the woods at 6:30 a.m. was a continuation of the quiet and solitude of the monastery.  I was the only one out.  I found the labyrinth easily enough, though I was convinced I was lost on the alternate wood path just as I spotted it.

Bigger then I realized, more remote, and surrounded by trees, the labyrinth was built in 2007, I think. If you can get to it, via the longer paved path with a short jog through the grass, it is even possibly wheelchair accessible, paved with small gravel as it is and wide and flat.











The sun was just rising, first creating muted pastels and then producing brilliant reds and oranges and yellows.  I watched the sunrise and took pictures from outside the labyrinth at first and then walked the path.  It was a wonderful, focusing, rejuvenating walk.  It wasn't even until I had circled the center  stone circle for awhile that I noticed someone had been there before me:  a novena candle was lit.

I walked back just in time for the breathing mediation with the director of the institute.  As much as I had focused on the knitting of the retreat in my anticipation of it, I got so much out of the meditation; I imagine that my daily practice has been kickstarted.

Then it was breakfast and our morning lesson.  There was so much to learn:  how to split stitches between three needles; how to insure the stitches are not twisted and facing down/away from you so that the project grows down/away from you; what to do if you drop a stitch or a whole needle of stitches (DON'T PANIC!  with non-slippery yarn, the stitches don't really move so you can recover it); how to change color; how to use waste yarn to save space for the thumb; how to easily count stitches on the purl side; how to gather the tops of mitten and thumb together; how to wave in; how to close holes.  I worked on it for hours.  I think I counted 7.5 hours overall for the one mitten.  But I was so excited, so proud, elated, grateful, joyful.  I had learned a new skill.

We broke up a lot of the knitting with stretches, centering breaths, water.  One of the breaths was the alternate-nostril breathing, when I realized that my cold wasn't completely gone!  There was also a cupped-hand/slapping exercise to get the blood flowing, plus one where we twisted back and forth swinging our arms.  There were self-hugs to open up our shoulders, eye exercises because of all the intense focusing, and a variety of yoga poses I didn't know.

I've realized that yoga just makes me sad.  Really, deeply sad.  I even shed a few tears during the morning practice.  My poor body has been so unloved by me and family and friends who criticize it or much more subtly make suggestions for its improvement, not accepting me how I am; it--I?--has been through so much from birth defects and other anomalies (lordosis, scoliosis, low muscle tone, leg differetital), hernia repairs, c-section, herniated discs, tailbone dysfunction, and now emergency abdominal surgery; and it just can't do what so many can do, especially all those stretchy middle-aged white women dedicated to yoga who are pretzeling themselves while I lie prone and alone (yes, lots of self-pity and envy in there, too.)  I always leave yoga feeling sad and down about myself, which is entirely opposite the point so I vowed to skip other yoga sessions entirely.  




So hat evening, instead of yet more yoga, I decided to take another walk to the labyrinth.  It's not everyday you have a labyrinth in the backyard.  As I made my way there, I saw three women from another retreat standing off the path and pointing up, then they waved to me.  I stopped in my tracks in time to see a Great Horned Owl fly from where they were standing, over my head, and in a tree nearby.  And when it took, another one followed.  Two giant, silent, fast, beautiful owls with their little tufty "ears."  Such a gift. So amazing.  I had never seen owls in flight naturally (beyond birds-of-prey exhibitions.)   I was too caught up in seeing them to take a picture; they were too fast for that anyway.

And then I watched the sunset at the labyrinth, the day ending quietly, not in a huge splash of color.  As I walked, I sang Sarah Dan Jones's "When I Breathe in" mediation and Emma's Revolution's "Peace Salaam, Shalom," which I think go well together.  I like to sing.  A few others joined me around the labyrinth later, quiet togetherness.  At first, I thought I'd mind, but I think I actually welcomed the company, even though all we did was nod.  





After dinner, there was a concert.  Girl-with-guitar Kate Callahan came and played many of her lovely folk ballads and songs for us, accompanying herself on guitar.  She also plays a quartz crystal singing bowl, with which she vocalizes and chants.  An incredible sounds!  She did some circle singing with us, which she had studied with renowned singer Bobby McFerrin.  She had one group start a rhythm, the other group do another, and she overlaid it with a tune and lyrics--about our retreat and concert!  Such a gift.

After the concert, as many of us stayed up to knit, as we talked of the music, I offered to teach them the two songs I had sung at the labyrinth.  And I did!  I sang a cappella, alone, in front of other adults; and then most of them were too shy to sing along.  But a few did, boldly.  Singing, I realized (as I've realized before), has so much to do with confidence.  I mustered just enough to sing aloud; I don't think I could do it regularly.

By the end of the evening, I had completed the body of one mitten and closed off the top!  If all went well, I would make the thumb the next morning and perhaps cast on the next mitten to do at home.


Sunday
So many clouds that I didn't bother to get up for sunrise.  I slept in, read more in Voyager (my current Outlander novel), and then got up to dress, pack up, and clean up my room.

We spent the morning knitting in silence, first complete silence and then with some sacred music.  We could quietly ask questions, as I had to in order to complete my thumb.  We checked in with our breaths and our bodies (especially to combat hunched postures common to knitters.)  

And I finished one whole mitten!!!!!  

In fact, we all finished at least one.



We celebrated over lunch together, commended the friendly and supportive community we had created in just a few days, pledged to continue our mindfulness practice and knitting upon reentry into the "real" world.  I was grateful to the teacher for her knowledge and assistance and patience, to the participants for their companionship and support, the Copper Beech staff and volunteers for creating a nurturing and sustaining event, to my family for letting me go, and for the privilege of being able to attend a retreat and to have knitting as a hobby.  

Then Mama and the kids picked me up.  They met a few of the staff and then helped me fetch my things.  We all walked to the labyrinth together, the kids talking the long path "off road" through the woods.  We walked relatively quietly, joyfully, through the labyrinth.  The kids walked ahead while Mama and I walked holding hands (see, nice wide labyrinth; couldn't do that on Block Island.)   At the center, we placed a little heart that I had purchased at the gift shop.

And then we were off, retreat over.  Back to life, back to reality, as the song goes.  I hope I carry a little bit of the peace and acceptance into the whirlwind of the holidays.  Perhaps this was just the right way to kick off the holiday season.

For next year, I promise everyone mittens!



*That's "pearls of wisdom" and a knitting pun on purl.  The retreat's title and pun, not mine!


-=-=-=-=-
Poems read during some of our mindfulness moments:

Allow by Danna Faulds

There is no controlling life.
Try corralling a lightning bolt,
containing a tornado.  Dam a
stream and it will create a new
channel.  Resist, and the tide
will sweep you off your feet.
Allow, and grace will carry
you to higher ground.  The only
safety lies in letting it all in –
the wild and the weak; fear,
fantasies, failures and success.
When loss rips off the doors of
the heart, or sadness veils your
vision with despair, practice
becomes simply bearing the truth.
In the choice to let go of your
known way of being, the whole
world is revealed to your new eyes.
________
Surrender by Edmund Leland
I surrender because control creates false security and is an insatiable master. 
I surrender not to give up, but to open up.
Not to let go, but to receive
Not to drop something and have less, but to unclench these hands and make way for more spaciousness that holding on or controlling could never allow.
Sweet conscious choice to surrender.
This is how I choose to live
This is how I choose to love
This is how I choose to dance my life.

______

Last Days by Mary Oliver

Things are
  changing; things are starting to
    spin, snap, fly off into
      the blue sleeve of the long
        afternoon. Oh and ooh
come whistling out of the perished mouth
  of the grass, as things
turn soft, boil back
  into substance and hue. As everything, 
    forgetting its own enchantment, whispers:
      I too love oblivion why not it is full
        of second chances. Now,
hiss the bring curls of the leaves. Now!
  booms the muscle of the wind. 

_______


Love after Love by Derek Walcott

The time will come 
when, with elation, 
you will greet yourself arriving 
at your own door, 
in your own mirror, 
and each will smile at the other's welcome
and say, sit here. Eat. 
You will love again the stranger who was your self.
Give wine. Give bread.
Give back your heart 

to itself, to the stranger who has loved you 

all your life, whom you ignored 
for another, who knows you by heart. 
Take down the love letters from the bookshelf, 

the photographs, the desperate notes, 
peel your own image from the mirror. 
Sit. Feast on your life. 
_______

Kindness by Naomi Shihab Nye

Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.

Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.

Before you know kindness as the deepest thing inside,
you must know sorrow as the other deepest thing. 
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.

Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
     purchase bread,
only kindness that raises its head
from the crowd of the world to say
it is I you have been looking for,
and then goes with you every where
like a shadow or a friend.

Monday, November 9, 2015

Indigo Children

Thursday night was a momentous occasion for us:  we took the kids to their first major concert.  Even better, it was the Indigo Girls!!!

Mama and I have seen the Girls in concert 6 or so times together:

The Indigo Girls provide the soundtrack of our romance, from early mix tapes with "Love Will Come to You" and those first concerts, always the songs on the tape player then CD player then MP3 player now Sonos wifi.  We've been listening for roughly twenty years (Mama more, me a bit less.)  Mama knows the lyrics; I don't as much, but I will make them up, and I can never name a song until its chorus.  There are lines in several of their songs that always make us stop and look at each other in that special way, hold hands, kiss, chuckle--"beautiful women walk on by; you know I never know what to say" from "Shame on You," "I took you for better and took you for worse; don't you ever forget it" from "Power of Two," and "Every lesson learned a line on your beautiful face" from "Get Out the Map," to name a few (I bet I didn't get all of those lyrics correct, either.)  So many memories wrapped up in their music.  And we have just begun sharing the songs with the kiddos.

We would have laughed had you told us back at one of those early concerts that we'd be taking our own kids to an IG show.  In fact, we tried to do it about a year and a half ago, only to realize we were going to be in England!  So when tickets came available for this show, we got four.  And we started to play the music everyday to familiarize them with more of the IG repertoire.  Sis liked "Galileo" and Bud liked "Get out the Map."

With the show starting at 8 and the Girls not going on until 9, we waited til after rush hour to head to the city, listening to the music all the way.  The kids are more used to Broadway and so couldn't understand why we arrived late (really, on time) and skipped the opening band.  We had told them they could sing, dance, even talk, that people would drink and move about, nothing like Broadway.

Then there they were, Amy on our left and Emily on our right, playing our favorite "Get Out the Map."  What a fantastic show it was!  So many of our favorites-- (I'll drop the quotes for simplicity) Get Out the Map, Power of Two, Shame on You, Go, Love Will Come to You, Galileo, Oziline, and of course Closer to Fine, plus Mama loves Land of Canaan--and several of the new songs.  The kids clapped and sang along and swayed to the music, but also closed their eyes "just to rest" part way through during some of the slow songs.  Mama and I gave that look and, several times, I got all teary. I felt so young again, but also in a time warp with two ten-year-old kids with us.

It was fun to explain aspects of their concerts to the kids--how they always stand on the same side of the stage, how they switched guitars every song, how Sully was the one who had been tuning their guitars for decades, how they always encouraged new or young talent and frequently brought them and other friends on stage for a song (often "Closer to Fine"), how they often had the audience sing parts of their songs, how we think they never sing out the "F" word in "Shame on You," how Amy doesn't usually sing the line about "it's only life after all," even how my friend Miss M once sat with them on the curb after a concert at our university some 25+ years ago.  And now, in the age of FB, how they put their set lists on line:


The concert ended with the usual encore of "Closer to Fine" and we were all up out of our seats singing, the kids getting their second wind.  We left the theater singing and sang halfway home, until they fell asleep in the back.    Mama and I shared all sorts of old memories--of concerts, of lyrics, of times we listened to their music (on any car trip in the late 1990s, especially from Chicago to NYC in 2001.) We hummed their songs all weekend in Block Island. If they didn't have uniforms, we would've gotten the kids concert t-shirts to wear just like we would have as teens on the day after.  It's a sure beginning to their own great memories of the Indigo Girls, second-generation fans who are starting their own personal soundtracks.



Wednesday, January 14, 2015

Music to Our Ears

Last night, the kiddos had their first Beginning Orchestra concert.  Very similar to their Beginning Strings concert last year, they played three songs, including one that was just scales.  I don't remember last year's much, except that I teared up and that Bud's cello ended up in the auditorium (cellists leave their instruments on the side of the stage, per teacher's instruction, to pick up after the concert, but we were leaving earlier; many others were in the same boat.)

This year's concert was almost exactly the same and, despite prior knowledge, his cello still sat in the auditorium until later in the evening.  But we were prepared.  The kids brought decks of cards to do magic trick swith their friends  During the concert,  Bud sat as first cellists--there are only two--and Sis said seats weren't earned but were based on sitting next to someone you wouldn't chat with.  I guess Bud is too chatty even to sit next to the viola-players.    Sis is nestled amid the violinists so that all you can see are her bangs; she too is chatty apparently and wasn't sitting next to any of the friends I know.

The songs were "Jingle Bells" and "Ole Joe Clark" which I have heard dozens and dozens of times on various instruments.  Music only parents would clap for.

Still, it's a great opportunity, this elementary school orchestra and I look forward to many more.

Even if we'll always have to wait to retrieve the cello.

Monday, October 14, 2013

String Beings

Yesterday at church, we had guest musicians, a wonderful string quartet--2 violins, a viola, and a cello.  Sis and Bud were enthralled, as new string musicians themselves.  The quartet played lovely selections--Debussy's "Claire de Lune" and "Girl with the Flaxen Hair," Eric Satie's "Gymnopedie," and Pergolesi's "Magnificat."  I didn't know any of the pieces, though I've heard of Debussy--my classical music knowledge is limited to the only the most famous pieces and composers (usually symphonies or operas.)  But I have a feeling that will change as they grow as musicians and as we take them to more concerts. The kids were too shy to talk to the musicians, but they loved watching them bowing and fingering and even plucking.

Monday, April 8, 2013

Meet Me at the Met and Other Fun This Weekend





Saturday found us in the glorious halls of the Metropolitan Museum of Art, primarily to see "Impressionism, Fashion, and Modernity."  We loved the combination of paintings by Monet, Degas, Tissot, Caillebotte (okay, so they weren't all Impressionists, but the word sells tickets!) and the crinolined and bustled fashions of the second half of the 19th century.  Bud, who recently read a biography of Monet, was glad to tell us all about Monet's wife Camille as well as the exhibition of 1871 and plein-air painting.  Sis especially liked Monet's "cotton candy" painting of a woman in white with a parasol on a hill.

We also walked the 19th-century galleries, where Sis wanted to see Degas's statue of a dancer.  She stood mesmerized for awhile, liking the cloth skirt and ribbon of the otherwise bronze figure.  Bud kept asking us to describe the subjects of painting so we finally would send him to read the labels.  For the painting in the above photo, of the massacre of the Innocents, the label really didn't help him understand the dead children or bereft mothers.  Interesting to note that the Met situates its labels at the height of an 8-year old, also probably that of a person in a wheelchair.

We had lunch on the (somewhat chilly) steps, though many of the fancy gourmet food carts have left--no cupcakes, no shakes, just New York hot dogs, which were good enough for Sis, Bud, and Mama!

Back inside, led by a banner on the facade of the building, we tracked down the newly-opened "Photography and the American Civil War," with his collection of carte-de-visite portraits in lockets and frames, battlefield images of casualties both dead and injured, and equipment such as cameras, braces to hold subjects' necks still, and stereoscopes, which were the kiddos' favorite.

We headed home soon after, with a swazu over to Columbia.  We picked up some huge slices of Koronet pizza and ate them in front of Butler Library, where Mama and I met way back when.  The kids love hearing that story over again and marveled that we could point to the exact stone bench (really more of a wall) where I was sitting eating breakfast when we were introduced by a co-worker.  We'll have to go back for a longer visit next time, to hit some of our other favorite spots again (we took them once before, but they were probably too young to remember the library stacks, the Hungarian Cafe, and St. John the Divine.)

Saturday night, our babysitter came so that Mama and I could go to see Audra McDonald in concert with last-minute, half-price tickets.  I'd seen her before, both in Carousel and Ragtime, and was looking forward to it.  And we loved it!  We had great seats, front row center mezzanine.  Most of the songs dealt with the meaning of life, such as "Make Someone Happy" and "First You Dream."  But, including those, I didn't know most of the songs, several being 1930s musical standards which isn't my forte.  She "got over herself" to sing "I Could've Danced All Night," but she encouraged us to sing along.  She sang about flying--and played the piano--in honor of her father who died five years ago in a plane crash.  She was inspired to add "My Buddy" by an 86-year old veteran singing the song in Harvard Square; she sang some lullabies because her daughter wouldn't listen to them, saying her mother's singing "made my ears cry."   The song about the effects of September 11th on one person, "I'll Be There," made us both cry.  And we laughed hysterically, truly to the point of tears, when she sang her German art songs with lyrics from, of all places, Craigslist!  There she was operatically singing about finding a particular type of Hudson Valley pickle because "some dipschitz though out my bottle!"  I wasn't as affected by her song "Go Back Home" about the Scottsboro Boys or "Some Days" from a James Baldwin poem, but I really liked the poignant chorus and story of "Stars and the Moon," about being promised true love yet wanting a yacht and champagne.  And her version of "Moment in the Woods."  She closed with a song first sung by the person she considered the best singer ever--Judy Garland's "Over the Rainbow."  No Porgy and Bess, no Carousel, no Ragtime.  And it was all wonderful nonetheless.  Mama and I glowed the rest of the weekend from having done something so adult, so enjoyable, so much like we used to, so memorable.  We picked up Indian food on the way home and chatted late into the night.

Sunday was spent mainly at church--we were in charge of snacks, bringing homemade brownies, cheese and crackers, veggies and dip--as we had both morning service and I had a small group ministry meeting of parents of young children in the afternoon.  There we discussed, passionately yet sensitively (also rather liberally), the shooting tragedy in Newtown through the lens of parenthood.  I just joined the group but felt really comfortable with everyone and am very glad to have found a niche at church.  Meanwhile, Mama and the kids made wooden pinball machines at a local museum and went for a short hike.

We ended the outing with some frozen yogurt--tart or lychee or strawberry yogurt with fruit toppings, caramel sauce, raspberry sauce, coconut, almonds, mochi, gummies, maraschino cherries--we had more toppings than yogurt!  A sweet end to a great weekend.


Monday, March 5, 2012

"Cornbread and Butter Beans"

We went to our friend Miss M's "roots music" concert yesterday and had a wonderful time tapping our feet, snapping our fingers (the kids have been practicing this!), and even cutting up the rug while listening to their lyrical voices, mandolin, banjo, guitars, and harmonica with old friends from church (hi again, Miss D!).  We had heard Miss M and her husband Mr. C perform at church any number of times but never two full sets.  We bought the CD so we can bring them home with us.  And of course, I loved the "Cornbread and Butter Beans" song (by the wonderfully named Carolina Chocolate Drops):

"Cornbread and butter beans and you across the table
making love and eating beans as long as I am able!"

Inspired, I've got some butter beans on the stove right now . . . .